Legend Page issues For other uses, see Legend (disambiguation) and Legendary (disambiguation).
A depiction of the legendary Rütlischwur. A legend (Latin, legenda, “things to be read”) is a narrative of human actions that are perceived both by teller and listeners to take place within human history and values to possess certain qualities that give the tale verisimilitude. Legend, for its active and passive participants, includes no happenings that are outside the realm of “possibility” but which may include miracles. Legends may be transformed over time, in order to keep it fresh and vital, and realistic. Many legends operate within the realm of uncertainty, never being entirely believed by the participants, but also never being resolutely doubted.[1]
The Brothers Grimm defined legend as folktale historically grounded.[2] A modern folklorist’s professional definition of legend was proposed by Timothy R. Tangherlini in 1990:[3]
Legend, typically, is a short (mono-) episodic, traditional, highly ecotypified[4] historicized narrative performed in a conversational mode, reflecting on a psychological level a symbolic representation of folk belief and collective experiences and serving as a reaffirmation of commonly held values of the group to whose tradition it belongs.”
Etymology and origin Edit
Holger Danske, a legendary character. Legend is a loanword from Old French that entered English usage circa 1340. The Old French noun legende derives from the Medieval Latin legenda.[5] In its early English-language usage, the word indicated a narrative of an event.
By 1613, English-speaking Protestants began to use the word when they wished to imply that an event (especially the story of any saint not acknowledged in John Foxe’s Actes and Monuments) was fictitious.[6] Thus, legend gained its modern connotations of “undocumented” and “spurious”, which distinguish it from the meaning of chronicle.
In 1866, Jacob Grimm described the fairy tale as “poetic, legend historic.”[7] Early scholars such as Karl Wehrhan (de)[8] Friedrich Ranke[9] and Will Erich Peuckert[10] followed Grimm’s example in focussing solely on the literary narrative, an approach that was enriched particularly after the 1960s,[11] by addressing questions of performance and the anthropological and psychological insights provided in considering legends’ social context. Questions of categorising legends, in hopes of compiling a content-based series of categories on the line of the Aarne-Thompson folktale index, provoked a search for a broader new synthesis.
In an early attempt at defining some basic questions operative in examining folk tales, Friedrich Ranke (de) in 1925[12] characterised the folk legend as “a popular narrative with an objectively untrue imaginary content” a dismissive position that was subsequently largely abandoned.[13]
Compared to the highly structured folktale, legend is comparatively amorphous, Helmut de Boor noted in 1928.[14] The narrative content of legend is in realistic mode, rather than the wry irony of folktale;[15] Wilhelm Heiske[16] remarked on the similarity of motifs in legend and folktale and concluded that, in spite of its realistic mode, legend is not more historical than folktale.
In Einleitung in der Geschichtswissenschaft (1928), Ernst Bernheim asserted that a legend is simply a longstanding rumour.[17] Gordon Allport credited the staying-power of some rumours to the persistent cultural state-of-mind that they embody and capsulise;[18] thus “Urban legends” are a feature of rumour.[19] When Willian Jansen suggested that legends that disappear quickly were “short-term legends” and the persistent ones be termed “long-term legends”, the distinction between legend and rumour was effectively obliterated, Tangherlini concluded.[20]
The word legendary was originally a noun (introduced in the 1510s) meaning a collection or corpus of legends.[21][22] This word changed to legendry, and legendary became the adjectival form of legend.[21]
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